Stone and Fence, 2022
Yasuaki Onishi, Stone and Fence, 2022, copper foil and iron, H402×W600×D600cm
Stone and Fence, 2022
Yasuaki Onishi, Stone and Fence, 2022, copper foil and iron, H402×W600×D600cm
Stone and Fence, 2022
Yasuaki Onishi, Stone and Fence, 2022, copper foil and iron, H402×W600×D600cm
Stone and Fence, 2022
Yasuaki Onishi, Stone and Fence, 2022, copper foil and iron, H402×W600×D600cm
Stone and Fence, 2022
Yasuaki Onishi, Stone and Fence, 2022, copper foil and iron, H402×W600×D600cm
YO_StoneAndFence_2022_7
Yasuaki Onishi, Stone and Fence, 2022, copper foil and iron, H402×W600×D600cm
Yasuaki Onishi – Reverse of Volume
Site-specific installation
Yasuaki Onishi – Reverse of Volume
Site-specific installation
Yasuaki Onishi – Reverse of Volume
Site-specific installation
Yasuaki Onishi – Reverse of Volume
Site-specific installation
Yasuaki Onishi – Reverse of Volume
Site-specific installation
Yasuaki Onishi – Vertical Emptiness
Site-specific installation
Yasuaki Onishi – Vertical Emptiness
Site-specific installation
Yasuaki Onishi – Vertical Emptiness
Site-specific installation
Yasuaki Onishi – Vertical Emptiness
Site-specific installation
Yasuaki Onishi – Lost in Play
Site-specific installation
Yasuaki Onishi – Lost in Play
Site-specific installation
Exhibition view Reverse of Volume
Yasuaki Onishi, Reverse of Volume, 2018, polyethylene sheeting and black glue, variable dimensions
Reverse of Volume, 2018
Yasuaki Onishi, Reverse of Volume, 2018, polyethylene sheeting and black glue, variable dimensions
Born in 1979, Osaka, Japan
Lives and works in Osaka, Japan
DESIGN BOOM, Expressing emptiness and volumizing voids: Japanese artist Yasuaki Onishi on casting the invisible, April 2021
Buro 247, Japanese artist Yasuaki Onishi: Why it’s all about negative space, 2016
DESIGN BOOM, Yasuaki Onishi, Reverse of Volume at Rice Gallery, mai 2012