Tree House, 2022
Cornelia Konrads, Tree House, 2022, installation in situ, private collection - France
Tree House, 2022
Cornelia Konrads, Tree House, 2022, installation in situ, private collection - France
Passenger, 2022
Cornelia Konrads, Passenger, 2022, rubber boots, tree branches and paint, site-specific installation - Botanic Garden, Chicago, USA
Passenger, 2022
Cornelia Konrads, Passenger, 2022, rubber boots, tree branches and paint, site-specific installation - Botanic Garden, Chicago, USA
Endangered Species – Exhibition view
Endangered Species - Exhibition view
Tragic Column (detail), 2020
Cornelia Konrads, Tragic Column (detail), 2020, site-specific installation, artificial bricks, painted wood, plaster and nylon thread, 320 x 20 x 20 cm (adaptable height)
Cornelia Konrads, Tourbillon (Whirlwind), 2018, floating wood and metallic structure, 600 x 300 cm
Rupture, le rêve de Lakmé, 2019
Cornelia Konrads, Rupture, le rêve de Lakmé, 2019, foamrubber, plaster, paper, paint and pigment, 400 x 150 x 150 cm, site specific installation in the Domaine de Chaumont-sur-Loire's stables, France
Rupture, le rêve de Lakmé, 2019 (detail)
Cornelia Konrads, Rupture, le rêve de Lakmé, 2019, foamrubber, plaster, paper, paint and pigment, 400 x 150 x 150 cm, site specific installation in the Domaine de Chaumont-sur-Loire's stables, France
The Match, Le voyage à Nantes, 2019
Cornelia Konrads, The Match, Le voyage à Nantes, 2019, resin, paint, pigment and steel rope, 2 vases : 80 x 50 x 50 cm each, site specific installation in the Domaine de la Garenne Lemot's park, grande allée, existing sculptures at the main entrance, Gétigné, France
Columns, Le voyage à Nantes, 2019
Cornelia Konrads, Columns, Le voyage à Nantes, 2019, resin, paint, pigment and metal, 6 columns : 270 x 40 x 40 cm, site specific installation in the Domaine de la Garenne Lemot's park, Colonne de Madrid, Gétigné, France
The Dance, Le voyage à Nantes, 2019
Cornelia Konrads, The Dance, Le voyage à Nantes, 2019, bricks, cement, metal and rope, 7 pillars : 160 x 50 x 50 cm each, site specific installation in the Domaine de la Garenne Lemot's park, Gétigné, France
Bridge, 2018 (summertime)
Cornelia Konrads, Bridge, 2018, lodgepole pine, weathered barn boards and steel rope, 3 x 22 m, site specific installation for BLACKFOOT PATHWAY : Sculpture in the Wild, dry creek bed in a forest area in Lincoln, USA
Bridge, 2018 (wintertime)
Cornelia Konrads, Bridge, 2018, lodgepole pine, weathered barn boards and steel rope, 3 x 22 m, site specific installation for BLACKFOOT PATHWAY : Sculpture in the Wild, dry creek bed in a forest area in Lincoln, USA
Arbor felix, 2017
Cornelia Konrads, Arbor felix, 2017, foamrubber, wiremesh, paper and paint, 155 x 80 x 90 cm, site specific installation for ARtBON, Switzerland
Il tempo dell’edera, 2017
Cornelia Konrads, Il tempo dell’edera, 2017, stones, cement, metal, broken plant pots, earth and ivy, 250 x 70 x 70 cm, site specific installation for the Caltagirone architecture and landscape biennial in the gardens of the Museo delle Ville Storiche, Sicily, Italy
Casa do vento I Wind House, 2016
Cornelia Konrads, Casa do vento I Wind House, 2016, built in the way of typical local farmhouses using a traditional clay wall technique, wood, clay soil, straw, cow dung, cement, metal grid and rooftiles, 340 x 280 x 650 cm, site specific installation commissioned for Ibitipoca reserve, Lima Duarte, Brazil
Passage, 2015
Cornelia Konrads, Passage, 2015, iron, steel ropes and tree branches, 400 x 700 x 60 cm, site specific installation in the Domaine de Chaumont-sur-Loire's park, France
La précarité du temps, 2013
Cornelia Konrads, La précarité du temps, 2013, wood, foamrubber, wiremesh, cement, plaster and pigment, 500 x 500 x 50 cm, site specific installation on the face of an ancient paper mill, Couze, France, Ephémères - Art Contemporain Sud Dordogne
Zone, 2011
Cornelia Konrads, Zone, 2011, windows, wood, glass, paint, curtains, lamps and flowerpots, various dimensions, site specific installation for Tschernobyl 25, curated by Jochen Herbst — Expeditionen Gartow, Germany
Settlement, 2010
Cornelia Konrads, Settlement, 2010, cement, steel and lime rendering, 340 x 800 x 500 cm, commissioned public artwork for the N8 Cashel to Mitchelstown Road, Cahir, Ireland
Schleudersitz, 2010
Cornelia Konrads, Schleudersitz, 2010, tree trunk, rubber, wooden bench and paint, 4 x 14 x 3 m, site specific installation for Flugobjekte / Flying Objects, International Artexhibition on the vineyard — Eining, Neustadt a.d. Donau, Germany
Still Life with Tree, 2008
Cornelia Konrads, Still Life with Tree, 2008, wood, paint and slate tiles, 280 x 420 x 800 cm, site specific installation in the massif du Sancy, Chastreix, France
The Shelter, 2007 (daytime)
Cornelia Konrads, The Shelter, 2007, wood, windows, lights and paint, 700 x 160 cm, site specific installation for Les Territoires occupés, Corbigny, France
The Shelter, 2007 (nighttime)
Cornelia Konrads, The Shelter, 2007, wood, windows, lights, and painting, 700 x 160 cm, site specific installation for Les Territoires occupés, Corbigny, France
Le mur, 2006
Cornelia Konrads, Le mur, 2006, stones, concrete and metal, 140 x 1400 x 40 cm, site specific installation between two rocks, Saint-Pierre-de-Chartreuse, France
The Wall (Le mur), 2006
Cornelia Konrads, The Wall (Le mur), 2006, stone, concrete and metal, 140 x 1400 x 40 cm, site specific installation, Saint-Pierre-de-Chartreuse, France
The Gate, 2004
Cornelia Konrads, The Gate, 2004, stone, steel and concrete, 350 x 500 x 80 cm, site specific installation for SenArt en Forêt, Fontainebleau, France
Blindbuch, 2002
Cornelia Konrads, Blindbuch, 2002, book, paper and rose thorns, 17 x 25 x 3 cm
Brandbuch I, 2003
Cornelia Konrads, Brandbuch I, 2003, book, paper and caps, 20 x 28 x 4 cm
Staubbuch, 2004
Cornelia Konrads, Staubbuch, 2004, book, paper, dust, nylon rope and needles, 20 x 28 x 4 cm, private collection
Cornelia Konrads
Born in 1957 in Wuppertal, Germany.
Lives and works in Barsinghausen, Germany.
Press
Vive le Printemps ! La révolte des herbes folles de Cornelia Konrads, March 20, 2019, by Annick Colonna-Césari
